NYU Steinhardt participates in Carnegie Hall’s City-Wide Festival on the Artistry of Germany's Weimar Republic—Feb. 4-April 27, 2024

February 24, 2024

To accompany the film, students in the Program in Instrumental Performance will premiere a score collaboratively composed by students in the Program in Screen Scoring. “It is one of the many opportunities that we offer.”The Steinhardt performances are free and open to the public. The work was inspired by and pays tribute to Weimar Cabaret, and is presented as part of Dance Education's Spring 2024 Masters' Dance Concert. To learn more about NYU Steinhardt, visit steinhardt.nyu.edu. Together, students and faculty engage in professional, scholarly, and artistic practices that capture international attention and serve as models for progress.

Faculty and students from the Steinhardt School of Culture, Education, and Human Development will present five events in February, March, and April as part of Carnegie Hall’s city-wide festival examining the rich artistic life that flourished in Germany between 1919 and 1933.

Running from January through May at the landmark concert hall and at dozens of cultural and educational institutions around the city, Fall of the Weimar Republic: Dancing on the Precipice examines the fertile cultural environment of the Weimar period, which emerged from the devastation of World War I. Through a broad range of performing arts, the festival reflects on the forces that led to the Republic’s fall while simultaneously tying its history to current events threatening democracies around the world.

“It is part of our mission to use our art to participate in vital discussions,” says Marilyn Nonken, chair of NYU Steinhardt’s Department of Music and Music Professions and a concert pianist.  “The festival is not only about dance and music and film and drama, but also about political issues that are incredibly pressing, ranging from class, race, and sexual orientation to the role of art in society.”

“It’s wonderful to give students this platform–being associated with Carnegie Hall and presenting on a city-wide stage–to share their work and become aware, as artists, that their art has impact,” she adds.

Highlighting the festival are performances by the Cleveland Orchestra, the Vienna Philharmonic, the National Symphony Orchestra under the direction of Gianandrea Noseda, and the Bavarian Radio Symphony Orchestra conducted by Sir Simon Rattle. Jazz pianist Jason Moran, postmodern cabaret performer Meow Meow, and cabaret artist and actress Ute Lemper also perform. The full schedule is on the concert hall’s website.

Steinhardt’s contribution includes the screening of Der Golem, a 1920 German silent film that is considered a masterpiece of Expressionism and a precursor to modern horror movies.

To accompany the film, students in the Program in Instrumental Performance will premiere a score collaboratively composed by students in the Program in Screen Scoring.

“This event represents the kind of intense interdisciplinary collaboration which is unique to our department,” Nonken explains. “It is one of the many opportunities that we offer.”

The Steinhardt performances are free and open to the public. Advance tickets are available online or at the Skirball box office. Seats may also be available at the venue on the day of the event on a first come, first served basis.

The Art of Not Falling: Arnold Schönberg at 150

Feb. 4 at 8 p.m.

Black Box Theater in Pless Hall

26 Washington Place

Pianist Marilyn Nonken and soprano Deborah Norin-Kuehn perform a concert that charts the transformation that composer Schönberg underwent during the Weimar years. Nonken studied with Leonard Stein, the composer’s assistant.

Der Golem

March 6 and 7 at 8 p.m.

The Iris Cantor Theatre

38 W. Houston St.

Jonathan Haas conducts the NYU Contemporary Music Ensemble in live performances of an original score composed by NYU Steinhardt Screen Scoring students for the 1920 horror film directed by Paul Wegener and Carl Boese. The movie predicts the Jewish persecution at the hands of the Nazis.

Bertolt Brecht and the 21st Century Verfremdung

March 9 at 7:30 p.m.

John A. Paulson Center, Room 620

181 Mercer St.

NYU’s Verbatim Performance Lab examines Bertol Brecht’s concept of Verfremdung, or defamiliarization, which originated in the Weimar period. Using Brecht’s testimony before the House Un-American Activities Committee in 1947 and examples from current politics and culture, the Lab will investigate Brecht’s idea that how something is said can be as important as what is said.

Piano Music of the Weimar Era

April 24 at 8 p.m.

Black Box Theater in Pless Hall

26 Washington Place

NYU pianists perform a program of works by Hanns Eisler and other composers of the period.

Love Thy Neighbor

April 26 and 27 at 8 p.m.

Frederick Loewe Theater

35 W. 4th St.

Original dance choreography by Deborah Damast, clinical associate professor and director of NYU’s dance education program, is set to music by Max Raabe, the German jazz singer and founder/leader of the Palast Orchester. The work was inspired by and pays tribute to Weimar Cabaret, and is presented as part of Dance Education's Spring 2024 Masters' Dance Concert.

About NYU Steinhardt

Located in the heart of New York City’s Greenwich Village, NYU’s Steinhardt School of Culture, Educatio, and Human Development prepares students for careers in the arts, education, health, media, and psychology. Since its founding in 1890, the Steinhardt School's mission has been to expand human capacity through public service, global collaboration, research, scholarship, and practice. To learn more about NYU Steinhardt, visit steinhardt.nyu.edu.

Steinhardt’s Department of Music and Performing Arts Professions, founded in 1925, offers a supportive environment in which to explore disciplined and interdisciplinary endeavors in Music Performance, Composition, Music Business, Arts Administration, Music Technology, Music Therapy, Drama Therapy, and the Arts in Education (Educational Theatre, Music, and Dance). Together, students and faculty engage in professional, scholarly, and artistic practices that capture international attention and serve as models for progress.

The source of this news is from New York University

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